Builds patient recordings where electronics, room tone, and close-mic texture remain exposed.

Mexico City

2 tracks0 releases0 performances

Tracks

Tracks

Standalone works, compositions, and listening studies connected to this creator.

Collaborative recording2026

Atlas of Return

A collaborative recording for piano, breath-led vocal, and restrained electronics that keeps its arrangement close to the surface.

Recorded single2026

River Room Session

A close-mic recording built from room tone, restrained electronics, and a guitar figure that never fully resolves.

Releases

Releases

Release pages keep sequencing, rights, and queue behavior attached to the canonical work route.

Empty state

Nothing published here

No published works are attached to this section yet.

Performances

Performances

Live recordings and performance-led documents stay visible without creating a separate data model.

Empty state

Nothing published here

No published works are attached to this section yet.

About

About

Mateo Ibarra is a Mexico City-based musician and producer working with exposed room tone, electronics, and patient arrangement.

Mateo builds small-scale recordings where electronics, room tone, and close-mic texture remain exposed.

Profile details

musicianproducer

Process

Process

Process notes stay close to the listening context instead of being hidden behind separate editorial routes.

Process statement

The work was arranged around how a piano refrain and a breath-led vocal line could share space without one illustrating the other.

Shared arrangement

Initial arranging focused on the breath line entering without becoming a lead melody.

Mixing for separation

The final recording was mixed to preserve distance between voice, piano, and electronics rather than collapsing them into one texture.

Process statement

Built from one room capture and two restrained overdubs so the space stays audible.

Room capture

The first pass was tracked in one room with the window slightly open so the outside pressure remained part of the recording.

Overdub restraint

Two later overdubs were added only where they could sit beside the room noise instead of masking it.

Credits

Credits

Credits remain visible at the profile level so collaborations and editorial responsibilities are easy to audit.

Mateo Ibarra

Alina Park

Signal Choir

Editorial

Editorial

Editorial features and connected collections keep the creator inside the broader archive context.

Music collection

Choral Memory Experiments

Fictional fixtures that connect piano-led memory work with restrained electronics and ensemble authorship.