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Music-video document used for preview and playback tests.
The frame returns to one corridor position repeatedly while a performer steps in and out of address.
Jonas Eze
A music-led moving-image work built from repeated framing, corridor pressure, and performance-to-camera.
Director note
Corridor Echo Cut uses repeated framing and slight delay instead of spectacle. The performer remains anchored to the camera, but the real subject is how each return alters the corridor’s pressure.
The video sits deliberately between song document and moving-image study.
Media rights
This work still uses development fixture media. Replace it with creator-provided or independently verified licensed media before treating the record as public-core showcase content.
Credits
Editorial context
Fictional shoreline and weather-led films that keep pacing visible rather than cinematic excess.
This work appears in the curated sequence for this collection.
Open collectionCreators
Builds performance and music-led films where camera distance and repeated gesture remain visible.
Jonas Eze is a Lagos-based director making performance documents and music-led moving-image work with visible camera presence.
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